The Roman Cemetery - Lucian Blaga

Abused have been the Romans
by certain scholars of more recent times
for not creating metaphysics
like other glorious nations,
but only aqueducts, roads, colosseums, forums,
the eternal city, castra, border, earthwork.
Abused have been the Romans
for building only houses, with atria
receiving daylight from above,
and with the warning on their doorsills: cave canem.

If fate would have you come to Rome some day
and deep into the countryside, my friend, along the Via Apia
you were to wander,
you would then understand, oh, how unjust the balance is
in which people and peoples weigh
each other's hearts and virtues. For you would see a Way
unrolling on and on into the landscape,
stone after stone, all fitting,
a Way lined left and right
with urns, sarcophaguses, mausoleums
preserving ashes, relics sheltering.
Thus did the Romans see the Way, defying every limit,
into the mighty realm of life through death advancing,
laid out in rows
on either side. And those who in the shade of cypresses
in sarcophaguses are sleeping, hear the sound
of shields and lances, hear the cohorts marching,
the wheels of chariots, the horses' neighing. In due course
all this no longer does exist
but the more ancient dead still listen to the Way
that sounds on earth.

Thus did the Romans visualize a cemetery:
a way lined with two rows of silences.
And that is Roman metaphysics: a Way.
A way advancing through the dead, not through the quick.

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